The Lumix FZ80 / FZ82 is a budget superzoom bridge compact with a 60x optical zoom that culminates in a dizzying 1200mm setting. Price Match Guarantee. Of course the LCD screen isn’t the only, or possibly even the best way to compose shots on the Lumix FZ80 / FZ82. And, unlike with 6K Video mode, you can shoot raw files in these burst … A fairer comparison would be with the similarly-priced Nikon COOLPIX B700 and Canon PowerShot SX60 HS. If you want to browse the images on the card in the camera before deciding which to transfer, then Transfer selection is the option to go for. Further options allow you to restrict transferred files to just photos or videos. These arenât features youâll find on the COOLPIX B700 either, and although the PowerShot SX60 HS does have an external microphone socket, these kinds of pro video features arenât what youâd expect, or even what most people would want, from a bridge camera in this price bracket. The viewfinder is 4:3 proportioned so the full area is used and there are no black areas at the edges, but itâs still quite small compared with more sophisticated and expensive panels used in mirrorless models and higher end super-zooms like the FZ200 which has a 2.3 million dot OLED viewfinder. Announced in January 2017, it’s the successor to the two-and-a-half-year-old Lumix FZ70 / FZ72. The 4K Photo mode is great for capturing the perfect moment when faced with fast action, but itâs also surprisingly useful for portraits, especially of kids, where an expression can change between frames. About the symbols in … That’s a pretty impressive performance (and about half a metre longer than the FZ70 / FZ72), generally the built-in flash units on bridge cameras aren’t that powerful and are only intended for use with reasonably close subjects or for fill-in. LUMIX DC-FZ80 digital camera pdf manual download. One solution to this is to switch the Live view mode from its default 30fps refresh rate to the 60fps option. We liked the Panasonic Lumix DC-FZ70 thanks to its long zoom lens, low cost, and strong image quality. Lumix FZ82 has a high-speed and high-precision autofocus with DFD defocus technology to get better depth. Having said that, the Nikon Appâs remote shooting capabilities are, to put it kindly, in the Stone Age by comparison with what Panasonic provides. Panasonic DC-FZ80 Features. You can use 4K technologies to easily lock fleeting moments in time as high-quality photos using 4K PHOTO mode. Panasonic Lumix … Panasonic FZ80 Review - FZ80 Specifications. May not be used without permission. The FZ70 / FZ72 added a new one – Old Days, a variation on Retro, less warm and with a slight magenta cast, making fifteen in all. Both the Canon PowerShot SX60 HS and Nikon COOLPIX B700 feature vari-angle screens that can be flipped out to face in any direction including front-facing for self-shooting and folded inwards to protect the screen when not in use. That said, neither of those two models features a touch-sensitive screen and if I had to choose between the two features I think Iâd choose touch-sensitivity over articulation every time. The Lumix G9 burst modes will help you capture even the fastest moving subjects at their decisive moment.. Hi--I have a Panasonic Lumix DMC-ZS40 which I have been using for years--one day when I hit the flash button a message came on which said "cannot us flash with burst mode"--I cannot find anything in t … read more The FZ80 / FZ82 additionally offers 1080p video at up to 120fps for slow-motion and can now be charged over USB, both useful upgrades over its predecessor, but it’s the 4k capabilities that are the headliners. Read on to find out if it’s the super-zoom bridge camera for you in my in-depth review! All in all it’s very simple to use and produces very good results. I ended up using the Pre mode more often than not. Faster JPEG shooting (burst mode) Faster shutter. In this side-by-side review, we will be comparing Canon PowerShot SX740 HS and Panasonic Lumix DC-FZ80. Unlike the Lumix FZ330 / FZ300 and other higher-end Lumix bridge models, the FZ80 / FZ82 doesnât offer Cinelike D and V profiles (for later grading) and also lacks the option that allows you to turn off the info display to allow the output of a âcleanâ signal via the HDMI port. I must admit I donât recall the older FZ70 / FZ72 being all that sluggish, at least in bright conditions, but the FZ80 / FZ82 is very quick and sure of itself. If you want to slow down the action even more thereâs also a 200fps option for 1/8 speed playback at VGA resolution. Wifi allows you to wirelessly browse the FZ80 / FZ82âs images on the larger and more detailed screen of a smartphone or tablet, copy them onto these devices, upload them to online storage or social media services (either directly or via a smartphone), or become remote-controlled using the free Lumix Image app for iOS or Android devices. Donât forget that both the PowerShot SX60 HS and the the COOLPIX B700 have longer telephotos so at 1200mm theyâre likely to be close to the f5.9 of the Lumix FZ80 / FZ82. The Lumix FZ80 / FZ82 can also upload images directly to the internet by itself via a suitable Wifi connection. You can drag the AF area to position it just as you would on the camera screen. Like its predecessor, the FZ80 / FZ82 has 1080p HD movie modes at 50 and 60 frames per second. But none of these is going to fit in your coat, unless you have very capacious pockets. The first is the camera doesnât have any kind of built-in browser to accept the terms and conditions of public hotspots, so youâll mostly be using home or office-based Wifi. The LUMIX FZ80 also offers high-speed burst shooting at 10-fps (AFS) / 6-fps (AFC) to capture fast-moving subjects in crisp focus. The Lumix FZ80 / FZ82 has a maximum aperture of f2.8, closing to f5.9 at the telephoto end of the zoom range. Editorial Note: As of 1/31/2018 I’ve changed a few of the settings, for Birds In Flight Settings for Lumix Cameras, listed below to reflect the newer cameras I’m shooting including the Lumix GH5 and G9.Any text shown in GREEN reflects the new changes I’ve made when shooting the newer cameras. Birds in Flight Settings for Lumix Cameras. The third Post Focus mode – Focus Stacking – combines frames to produce a composite with greater apparent depth of field than youâd get from an individual frame. You canât change the drive mode remotely, that has to be done using the dial on the camera, however once youâve set a drive mode it is then possible to alter, say, the continuous shooting speed, or self-timer delay. Both of these models sport viewfinders with a slightly lower 921k dot resolution, the Nikon COOLPIX, like the FZ80 / FZ82, has a 0.2 inch panel and the PowerShot SX60 HSâs is 0.17inch, so on paper thereâs not a lot to separate them. With a 35mm equivalent range of 20-1200mm this is an extremely versatile lens that has you covered in pretty much any situation, from large group shots and tiny interiors to sports and wildlife photography with everything in between from portraits and weddings to macro photography (at its wide angle setting the FZ80 / FZ82 can focus as close as 1cm). Finally, the Lumix Image app allows the FZ80 / FZ82 to inherit the fun Jump Snap feature introduced with the GF7. You can configure the app to provide shortcuts to two or three of your most used services which could include Dropbox and Instagram in addition to the more usual suspects. There are also Time Lapse and Stop Motion modes, accessed through the main menus rather than the movie options. The Lumix FZ80 / FZ82 gets a slight improvement in continuous shooting speed over its predecessor from 9fps to 10fps. Panasonic DC-FZ80 sample shot: 3.6mm, ISO 200, F2.8, 1/60 sec. LUMIX DC VARIO: Lens: 14 elements in 12 groups: Lens (6 aspherical lenses / 9 aspherical surfaces / 3 ED lenses) Optical Image Stabiliser: POWER O.I.S. The Electronic viewfinder is also upgraded with a new 0.2 inch, 1.17 million dot panel. So in this part of my review Iâll briefly cover the âconventionalâ burst shooting features before going on to look at the 4K photo modes. Itâs a feature thatâs popular on other Lumix models and undeniably great fun to see the names of people appear below their faces when theyâre recognised. Find low everyday prices and buy online for delivery or in-store pick-up. Below it are the Q Menu / Delete and display overlay buttons. Please read these instructions carefully before using this product, Digital camera, lens kit/body (124 pages), Manual will be automatically added to "My Manuals", Digital Camera Panasonic Lumix DC-FZ10002 Basic Operating Instructions Manual, Digital Camera Panasonic LUMIX DC-GX850K Owner's Manual, Digital Camera Panasonic DC-GH5 Basic Owner's Manual, Digital Camera Panasonic DC-GH5 Owner's Manual, Digital Camera Panasonic lumix DC-TZ90 Operating Instructions Manual, Digital Camera Panasonic Lumix DC-ZS70 Basic Owner's Manual, Digital Camera Panasonic Lumix DC-G9 Operating Instructions For Advanced Features, Digital Camera Panasonic Lumix DC-G9 Operating Instructions Manual, Digital Camera Panasonic Lumix DC-G9 Basic Operating Instructions Manual, Digital Camera Panasonic Lumix DC-GH5S Operating Instructions For Advanced Features, Digital Camera Panasonic LUMIX DC-GH5S Owner's Manual, Digital Camera Panasonic Lumix DC-GX9 Operating Instructions Manual, Digital Camera Panasonic LUMIX DC-GX9K Basic Operating Instructions Manual, Digital Camera Panasonic LUMIX DC-TZ200 Operating Instructions Manual, Digital Camera Panasonic Lumix DC-ZS200 Basic Owner's Manual, Page 16: Names And Functions Of Main Parts, Page 26: Inserting And Removing The Card (Optional), Page 28: Formatting The Card (Initialization), Page 33: Buttons/Dials/Levers Used For Recording, Page 35: Shutter Button (Taking Pictures), Page 36: Motion Picture Button (Recording Motion Pictures), Page 38: (Switching The Display Information), Page 41: Touching The Screen And Recording (Touch Shutter Function), Page 42: Easily Optimizing The Brightness For A Specified Area ([Touch Ae]), Page 45: Calling Frequently-Used Menus Instantly (Quick Menu), Page 46: Change The Quick Menu To Your Preferred Item, Page 47: Assigning Frequently Used Functions To The Buttons (Function Buttons), Page 48: Using The Function Buttons During Recording, Page 49: Using The Function Buttons During Playback, Page 54: Taking Pictures Using A Handheld Camera ([Ihandheld Night Shot]), Page 55: Combining Pictures Into A Single Still Picture With Rich Gradation ([Ihdr]), Page 56: Setting Brightness (Exposure)/Blurriness Of The Background (Defocus Control Function), Page 57: Taking Pictures After Automatically Setting The Aperture Value And Shutter Speed (Program Ae Mode), Page 58: Taking Pictures By Setting The Aperture Value And Shutter Speed, Page 59: Taking Pictures By Setting The Shutter Speed (Shutter-Priority Ae Mode), Page 60: Taking Pictures By Setting The Aperture Value And Shutter Speed (Manual Exposure Mode), Page 62: Checking The Effects Of The Aperture Value And Shutter Speed (Preview Mode), Page 64: Easily Set Aperture Value / Shutter Speed For Suitable Exposure (One Push Ae), Page 65: Recording Panorama Pictures (Panorama Shot Mode), Page 68: Taking Pictures According To The Scene (Scene Guide Mode), Page 72: Taking Pictures With Different Picture Effects (Creative Control Mode), Page 78: Recording Motion Pictures By Setting The Aperture/ Shutter Speed/Iso Sensitivity (Creative Video Mode), Page 79: Recording Slow Motion Pictures ([High Speed Video]), Page 80: Minimizing Operational Sounds During Motion Picture Recording, Page 81: Registering Your Own Settings And Recording (Custom Mode), Page 82: Recording Using Registered Custom Set, Page 83: Focus, Brightness (Exposure) And Color Tone Settings, Page 84: Set The Focusing Operation To Be Performed When The Shutter Button Is Pressed Halfway (Afs, Aff, Afc), Page 91: Changing The Position And Size Of The Af Area, Page 94: Setting The Af Area Position With The Touch Pad, Page 95: Optimizing The Focus And Brightness For A Touched Position, Page 96: Taking Close-Up Pictures (Macro Recording), Page 97: Taking Pictures With Manual Focus, Page 99: Taking Pictures By Locking The Focus And/Or Exposure (Af/Ae Lock), Page 100: Taking Pictures With Exposure Compensation, Page 105: Performing White Balance Fine Adjustments, Page 106: Bracket Recording Using White Balance, Page 110: Selecting Pictures From 4K Burst File And Saving, Page 117: Adjusting The Focus After Recording ([Post Focus]/[Focus Stacking]), Page 119: Select The Focus Point And Save The Picture ([Post Focus]), Page 120: Select The Focus Range To Combine And Create A Single Picture ([Focus Stacking]), Page 122: Notes On The [Post Focus]/[Focus Stacking], Page 126: Taking Pictures With Self-Timer, Page 131: Creating Stop Motion Animation [Stop Motion Animation], Page 139: Using The Zoom By Performing Touch Operations (Touch Zoom), Page 148: Taking Pictures With Wireless Flashes, Page 153: Setting The Format, Picture Size And Recording Frame Rate, Page 155: Adjusting The Focus While Recording Motion Pictures ([Continuous Af]), Page 156: Pan Or Zoom While Recording With The Camera In A Fixed Position [4K Live Cropping], Page 159: Taking Still Pictures While A Motion Picture Is Being Recorded, Page 163: Playing Back And Editing Pictures, Page 165: Capturing Still Pictures From Motion Pictures, Page 167: Viewing Pictures By Their Recording Date "Calendar Playback, Page 232: Operating The Camera By Connecting It To A Smartphone, Page 237: Taking Pictures Via A Smartphone (Remote Recording), Page 238: Playing Back Pictures In The Camera On A Smartphone, Page 239: Sending Pictures In The Camera To Social Networking Services, Page 241: Combining Motion Pictures Recorded With Snap Movie According To Your Preference On A Smartphone, Page 242: Displaying Still Pictures On A Tv, Page 244: Send Images Stored In The Camera, Page 246: Sending Pictures To A Smartphone, Page 254: When Sending Images To [Cloud Sync. The Lumix FZ80 / FZ82 is well catered for when it comes to time lapse sequences with the choice of a traditional interval timer (Time Lapse Shot mode) or one which lets you take photos manually as and when each frame is ready (Stop Motion Animation). If I was to make a criticism of the touch focus operation it would be that itâs easy to inadvertently reposition the grid with your nose when using the viewfinder, particularly if, like me, you use your left eye. News. Finally, I should also mention Creative Control mode. You can of course use editing software to convert 50/60p HD footage to 25/30p at 1/2 speed, but itâs so much more convenient to be able to shoot slow motion footage in-camera. Canonâs remote shooting features are, like Nikonâs, pretty basic, so if youâre looking forward to make the most of remote shooting opportunities using your phone or a tablet, the Lumix FZ80 / FZ82 wins hands down. In this mode you can place markers within the burst … All words, images, videos and layout, copyright 2005-2020 Gordon Laing. Whichever you use (most likely both and therefore somewhere in between) itâs a bit of a drop from the FZ70 / FZ72âs generous 400 shot allocation. Thanks to the touch-control system, users can quickly focus right on the subject and even release the shutter with touch operation to capture fleeting photo opportunities. So at the wide angle setting the Lumix FZ80 / FZ82 is around half a stop brighter which means, all other things being equal, you can shoot with a faster shutter speed or a lower sensitivity setting. DFD speeds up AF operation by using the lens characteristics to predict in which direction and how far the lens needs to be moved. In 4K Burst (S/S), S/S stands for Start/Stop and recording is started and ended with a press of the shutter release. You could of course frame grab from video externally, but Panasonic has made it easy to perform the whole process in-camera; see later in the review for more details. The new Lumix FZ80 / FZ82 shares the same optical range as its predecessor, taking you from an unusually wide 20mm equivalent to a super-telephoto 1200mm, allowing you to grab expansive landscapes or tight interiors at one moment and close-ups of distant wildlife or the Moon at the other. On the FZ80 / FZ82 you can shoot in PASM exposure modes, selected either from the video menu or by tapping the exposure mode icon in the top left of the screen when the mode dial is in the movie position. 1/16000 vs 1/4000 sec Shoot wide open in bright light. Full Range 60X Long Zoom From 20mm wide-angle for breathtaking landscapes to an amazing 60X zoom to capture far off moments, the FZ80’s lens brings it all together. Finished panoramas are a maximum of 7680 x 2560 pixels. Above: Download the original file (Registered members of Vimeo only). This first clip shows a hand-held panning shot followed by a zoom with the Lumix FZ80 / FZ82 in its best quality 4k mode at 25fps. The FZ80 / FZ82 no longer provides 200MB of built-in memory like its predecessor, but I donât imagine too many people will mourn the loss. Even when it has to travel from one end of the focus range to the other – a situation that often confuses contrast-detect AF systems – it rarely goes the wrong way, moving swiftly in the right direction and locking focus directly without hunting. Note: on my review sample, the diopter adjustment wheel was very loose and moved so easily that I had to adjust it every time I used the viewfinder. One feature that remains is the awesome LEICA This makes it very easy to jog back and forth before selecting the perfect moment, after which a press of the Menu / Set button saves the frame as a new JPEG with 8 Megapixel resolution. Thatâs a massive improvement on the continuous shooting capabilities of the older Lumix FZ70 / FZ72. Panasonic Lumix FZ80 / FZ82 Monitor and EVF. All the modes Iâve talked about so far are encoded in MP4 format, switch to AVCHD mode and you get the same 1080/50p mode as the MP4 format, encoded at 28Mbit/s plus two further 1080 / 50i interlaced modes – one encoded at 24Mbit/s from 25p sensor output and a 17Mbit/s mode from 50p sensor output. The focus is then adjusted using a slider on the screen. You can also choose whether to copy images in their original resolution, or in one of two smaller versions. Panasonic Lumix FZ80 / FZ82 Shooting Experience. The 4K video mode captures up to 4X the resolution of standard Full HD. When shooting outdoors in good light it locks on and beeps almost instantaneously with a barely perceptible lag. The quality is great and the stabilisation at the maximum 1200mm focal length is impressive. That said, youâll have to make these adjustments using the physical control buttons on the camera – on the FZ80 / FZ82 it can be done silently using the touch-screen. The earlier FZ70 / FZ72âs 460 dot LCD monitor was a hand-me-down from the older FZ60 / FZ62 which itself had inherited it from the FZ47 / FZ48. Full Range 60X Long Zoom From 20mm wide-angle for breathtaking landscapes to an amazing 60X zoom to capture far off moments, the FZ80’s lens brings it all together. The 720p and VGA (640×480) modes of the earlier Lumix FZ70 / FZ72 have been dropped, and surely wonât be missed. The dual-speed zoom rocker is a little bit tricky, it took a few attempts to get this shot as I either went too far and zoomed at what seemed a frantic speed, or not far enough and ended up with an unintended zoom pause. In time as high-quality photos using 4K Photo mode for the Nikon COOLPIX B700 Canon! Dropped, and surely wonât be missed performance, even in low light settings getting on DSLR! 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