Dès 1956, Armin Hofmann a tissé des liens avec l'Université de Yale, où il intervient régulièrement. Armin Hofmann et le programme d'enseignement international (1968) Avec la renommée grandissante de l'école de Bâle, un programme de formation avancé pour les étudiants étrangers est établi. As a graphic designer, sometimes it’s impossible not to be inspired by the Swiss Style, specifically the work of Armin Hofmann, who is one of its best exponents. Strongly relying on typographic elements, the “Swiss Style” was refined in the ’50s and ’60s at two design schools, one in Basel led by Armin Hofmann and the other in Zurich under Josef Muller-Brockmann. This style is commonly used for poster designs, containing San-serif typefaces in an asymmetrical and heavily grid driven structure. Armin Hofmann By the age of 27 Armin Hofmann had already completed an apprenticeship in lithography and had begun teaching typography at the Basel School of Design. In 1947, he began teaching at the Basel School of Arts and Crafts after meeting Emil Ruder on a train and learning that the school was looking for a teacher. “So it was,” Hiebert writes in Armin Hofmann: His Work, Quest and Philosophy, “because Armin Hofmann didn’t let you merely utilize what you already knew. After studying at the School of Arts and Crafts in Zurich, he worked as a lithographer in Basel and Bern, and opened a studio in Basel. Armin Hofmann: His Work, Quest and Philosophy (Industrial Design Graphic Design, Bd. Oct 16, 2016 - Explore Dominique Elliott's board "Armin Hofmann", followed by 109 people on Pinterest. I began with a modular grid, and designed each square with only two lines of varying weight. Price New from Used from Hardcover "Please retry" — — $176.61: Hardcover from $176.61 6 Used from $176.61 The Amazon Book Review Book … Hofmann's wonderful Giselle poster is included in the book, where he playfully turns the Standard Medium square dot on the i into a circle and you can compare the clarity of this poster with a student's work for the same ballet, a rather fussy type and graphic interpretation. Lucerne-based Armin Hofmann (* 1920) is considered one of the most influential graphic designers in Switzerland. He believed meaningful advertising could be had by simplification of language and message. Armin Hofmann was born in Winterthur, Switzerland, in 1920. Auction Closed. 7) (English and German Edition) (German) Hardcover – April 1, 1991 by Armin Hofmann (Author) See all formats and editions Hide other formats and editions. Armin Hofmann JA, Vollendung Bürgerspital, Es kann auch Dich Treffen 1963 Medium Offset lithograph Dimensions 50 5/16 x 35 9/16" (127.8 x 90.3 cm) Printer Wassermann A.G., Basel Credit Gift of the artist Object number 617.1981 Department Architecture and Design Inspired by Armin Hofmann’s Graphic Design Manual, this poster series explores some of the most basic elements of design with lines and dots. Armin Hofmann's richly varied work is recognised for its reliance on the fundamental elements of graphic form - point, line, and shape - and the economic use of colour and fonts. His colleagues and students were integral in adding to work and theories that surrounded the Swiss International Style, which stressed a belief in an absolute and universal style of graphic design. Design. Izhar rated it it was amazing Aug 25, 2015. This book, Armin Hofmann: Reduction, Ethics, Didactics (which comes with an addendum: Design Process), is Matthias' heartfelt and intellectually vigorous celebration of his father's career. Hofmann followed Emil Ruder as head of the graphic design department at the Schule für Gestaltung Basel (Basel School of Design) and was instrumental in developing the graphic design style known as … This approach is characteristic of Hofmann’s entire poster oeuvre, in which rational design and … What Hofmann sought in his work was something called Klang in German, a kind of musical resonance - the … 1965, 1965–1966 Sale Date: June 18, 2020. Armin Soft Font Jul 15, 2020 As a graphic designer, sometimes it’s impossible not to be inspired by the Swiss Style, specifically the work of Armin Hofmann, who is one of its best exponents. Armin Hofmann’s richly varied work is recognized for its reliance on the fundamental elements of graphic form – point, line, and shape – and the economic use of color and fonts. 7) Write a review. Start your review of Armin Hofmann: His Work, Quest and Philosophy (Industrial Design Graphic Design, Bd. STADT THEATER BASEL / 1965-66. Publisher: W Type Foundry. The thoroughly revised edition of the 1965 design manual classic is still set. Fonts in use in artwork from “Armin Hofmann” An independent archive of typography. Les meilleures offres pour Armin Hofmann Graphic Design IDGD`7: HIS WORK, QUEST AND P... | Livre | état bon sont sur eBay Comparez les prix et les spécificités des produits neufs et d'occasion Pleins d'articles en livraison gratuite! Another element Hofmann often brings into his work is dynamic imagery to create very interesting compositions. Grids and grotesk and neo-grotesk typefaces are a fundamental part of the tools that make this aesthetic possible. Apr 13, 2016 - Gewerbe Museum poster, Armin Hofmann (1961) Apr 13, 2016 - Gewerbe Museum poster, Armin Hofmann (1961) Explore. Armin Soft is the softest version of Armin Grotesk with its Variable file. Therefore, we decided to design Armin as an homage to Hofmann’s work. Article from swisstype.wordpress.com. Hofmann chose to use simple black and white images. Armin Hofmann. Legendary Swiss graphic designer and educator, Armin Hofmann is recognized for his immeasurable influence on generations of designers. I did work on the inventory of Armin Hofmann’s private archive where I found the silkscreen portfolio that is unique in Armin’s oeuvre. 1 review The Poster Collection of the Zurich Museum fur Gestaltung offers a record of the history of the poster, in Switzerland and worldwide, from its beginnings in the 19th century to its current existence. Armin Hofmann: Principles & Practice Even experienced designers should revisit familiar ground to find something new and fresh. Technically, we added stylistic sets applied to the letters –G, R, a, g, h, l, m, n, r, t, u, y– to make Armin more eclectic and suitable for the creation of any visual language. The chosen artist for the catalog is the legendary Swiss graphic designer, Armin Hofmann. Collection; Blog; or combine terms with Advanced Search. Armin Hofmann is an important Swiss graphic designer whose work is greatly influenced by the Swiss International Style. Work. A visual language that has caused full admiration since we were students. Anne Wang rated it it was amazing Nov 11, 2015. See more ideas about Armin hofmann, Armin, International typographic style. Armin Hofmann. Aug 7, 2014 - Examples of work by the graphic designer Armin Hoffman. This stunning poster, a classic of the International Typographic, or Swiss Style, was selected as a Swiss Poster of the Year award winner in 1963. The thoroughly revised edition of the 1965 design manual classic is still setting standards. OVERVIEW. Armin Hofmann’s richly varied work is recognized for its reliance on the fundamental elements of graphic form – point, line, and shape – and the economic use of color and fonts. In 1955-56, Armin Hofmann accepted a position as a guest instructor at the Philadelphia Museum School of Art and as a visiting lecturer at Yale University in New Haven. KLANG — ARMIN HOFMANN. See more ideas about Armin, Armin hofmann, Graphic. It quickly became clear that the aspect of color in Armin’s work and teaching has never been shown in a wider context and that there is a big lack of knowledge. It may be more instructive to hear what Armin Hofmann himself says about his poster work: With my simply constructed black-and-white posters, I have endeavored to do something to counteract the increasing trivialization of color, evident since the Second World War on billboards, in modern utensils and in the entertainment industry. Armin Hofmann Armin Hofmann is considered a most accomplished and influential Graphic Designer of both in his time and ours. Graphic Design. Embodied by designers such as Ernst Keller, Armin Hofmann, Emil Ruder, Josef Müller-Brockmann, ... Hofmann created a body of work enormously varied - books, exhibitions, stage sets, logotypes, symbols, typography, posters, sign systems, and environmental graphics. To research and create a catalog for Design Exchange, Canada's Design Museum, showcasing an influential graphic designer through a particular style. An example of Hofmann's posters A colleague of the renowned Emil Ruder and successor as the head of the graphic design department at the Basel School of Design, Armin Hofmann's work relies heavily on the fundamentals of graphics: lines and dots. While the entertainment industry was using brightly colored advertisements. Designers: David Súid. His colleagues and students were integral in adding to work and theories that surrounded the Swiss International Style, which stressed a belief in an absolute and universal style of graphic design. Auction Closed . Armin Hofmann (born 29 June 1920) is a Swiss graphic designer.He began his career in 1947 as a teacher at the Allgemeine Gewerbeschule Basel School of Art and Crafts at the age of twenty-six. Business And Advertising. Manifesti Di Scrittura Museo Poster Di Festival Design Editoriale Basilea Style Graphic Design Arte. Sign in to participate. 1920) poster for an exhibition at the Gewerbemuseum Basel, Constructivist principles are combined with a sensual, poetic formal language. garadinervi. Environmental Graphic Design .. POSTERS / THE MUSEUM OF MODERN ART, 1981 Sale Date: May 25, 2017. Armin Hofmann. By the age of 27 Armin Hofmann had already completed an apprenticeship in lithography and had begun teaching typography at the Basel School of Design. With his extensive graphic and educational work, he has contributed significantly to the international reputation of Swiss graphic design and influenced generations of graphic designers and teachers around the world. You can see the Hofmann approach in some of this student work though many designs seem overly complex. In Armin Hofmann’s (b. The thoroughly revised edition of the 1965 design manual classic is still setting standards. Hofmann's posters are especially of note, as he avoided the use of color in… His time and ours are combined with a modular grid, and designed each square with only lines. Grotesk and neo-grotesk typefaces are a fundamental part of the 1965 Design manual classic is still setting standards by Swiss. Both in his time and ours is recognized for his immeasurable influence on generations designers. San-Serif typefaces in an asymmetrical and heavily grid driven structure grids and grotesk neo-grotesk. 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